Free PDF The Writing Irish of New York
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The Writing Irish of New York
Free PDF The Writing Irish of New York
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Review
Praise for The Writing Irish of New YorkThis collection of essays and remembrances is bursting at the seams with talent. Irish writers finding their voice in New York City is a long and revered tradition, and this book shows that tradition to be alive and well in the new century. If it's wit, wisdom and dazzling prose that you're looking for, The Writing Irish of New York will not disappoint.T.J. English, New York Times bestselling author of The Savage CityThis is a fascinating book which I read at one sitting--containing no end of insight, with chunks of unanticipated wisdom and the finest of contemporary writing. A delicious feast.Patrick McCabe, author of The Butcher Boy and Breakfast on PlutoThis carefully curated collection of essays represents both the old guard and young guns on the New York literary scene, and feels like a true representation of the New York Irish experience. Almost all of these well written and insightful essays illustrate what's it feels like to be Irish-American as opposed to Irish-in-America.Kate Kerrigan, New York Times bestselling author of The DressHere are extraordinary and vivid essays by and about many of the people who first spring to mind when you think of Irish writers and New York City: Frank McCourt and Brendan Behan, Maeve Brennan and Scott Fitzgerald, Eugene O'Neill and Jimmy Breslin. But the book's true delight, and it's revelation, are the surprising voices you may not have heard before: Malachy, the other McCourt brother, and his ball-breaking humor; Larry Kirwan, the bard of Black 47; Maura Mulligan, a dancer and a deeply authentic witness to the joy of discovering a creative life; Brian O'Sullivan, an off-the-boat plasterer by trade who happens to write with a Twain-like appreciation for the absurd truths of life; and Kevin Fortuna, a spellbinding storyteller with a newfound deep connection to the old country. There are many others, and their indelible portraits stick with you, and what you thought you knew about a people and a place becomes ever so much richer.John Kenney, Managing Editor, Esquire
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About the Author
Editor Colin Broderick was raised Irish Catholic in Northern Ireland, moving to New York at the age of twenty. Author of two ground-breaking memoirs-That's That, the story of his childhood in Northern Ireland, and Orangutan, which chronicles his life in New York after moving there in 1988-he also writes screenplays (Emerald City, 2018), and his articles have appeared in The Irish Echo, The Irish Voice, and The New York Times.
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Product details
Paperback: 274 pages
Publisher: Lavender Ink (November 1, 2018)
Language: English
ISBN-10: 1944884513
ISBN-13: 978-1944884512
Product Dimensions:
6 x 0.6 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#316,894 in Books (See Top 100 in Books)
A real page turner that outlines the trials and tribulations of many Irish American writers as they try to get published.
A gem of a collection of essays that resonates with anyone who has struggled to find their identity and place in a new home. My favorites are from Chris Campion and Luann Rice
Loved the stories. Easy reading.
I read this fascinating book much slower than I usually read books. I wanted to savor every word. It has beauty, pathos, and insights about the creative spirit. Much can be learned from it. I grew nostalgic reading about old favorites like Eugene O'Neill and was delighted to meet writers who were new to me like Honor Molloy. What a way with words she has! Subsequent to reading this delightful book, I purchased 5 books written by some of the new writers I met. For a book to leave you wanting more is a great compliment which I gladly give to The Writing Irish of New York.
I loved every page of this amazing collection of essays and remembrances, by and about these great Irish writers -- some the most famous and some I hadn't even heard of before. Together, these wonderful essays and authors illustrate an excellent representation of the true NY Irish experience!
The Writing Irish of New York is a diverse compilation that gives voice to the past, remembering experiences and emotions--many shared and some imagined--but always unifying. A number of the essayists Peter Quinn, Malachy McCourt, Billy Collins, Charles R. Hale, Honor Molloy and Seamus Scanlon have passed through the halls of Lehman College—I am the Director of the City and Humanities Program at Lehman College—and they have all left their distinct contributions. Their memories of the past resonate with today’s students, many of whom have voyaged down the same paths, burdened with the same challenges of immigration, labor and education.One of the essayists, Charles R. Hale, has created a number of historical shows, centered on NYC and his family, which he has presented at Lehman College. His story “Out of the Shadows: Giving Voice to the Scorned and Forgotten,â€is a story of his familial and personal journey. His passion for remembrance threads a needle, weaving the threads of his ancestors’ experiences, strengthening the very fabric of each life, making them whole. “I write to preserve the stories; they serve as guides. I write so that we don’t forget,†Hale writes.The Writing Irish are literal docents, who eloquently share their experiences of writing in New York, while reflecting on what it is to Irish, a New Yorker and a writer. I unequivocally recommend this book.Joe McElligottDirector of the Lehman College City and Humanities Program
When I was reading “The Writing Irish of New York†I wondered why someone hadn’t done this already. Kudos to Colin Broderick for conceiving the idea and editing the book. I know many of the writers either personally or through reading their books, and now I know the back story.New York is a magnet for creative talent. The writers featured in this book explain how they found their voice in New York. I will devour many more works of these authors because I now know from where they came. This book is a must-read for anyone who enjoys good writing and loves the Irish and New York!
This book is NOT your usual compilation of writers telling you how they became writers. Rather, it is a chapter by chapter confessional from Irish-born and Irish-American born New Yorkers sharing their odyssey on the long road to becoming writers. For some, alcohol, heroin, or simply no money were very real distractions; for others, it was the urgent need to recover their Irish past that pushed them to pen and paper.Chapter by chapter, their stories go straight to your heart -- from a former nun writing letters to very young Martin Scorsese from inside her convent walls, and years later writing Martin Scorsese: The First Decade; to a young woman in Brooklyn, struggling with apartment rentals, small paychecks, and family obligations, to eventually publishing her generational history of the women behind New York City firemen; to a Kerry-born plasterer who one day in lockup at St. Vincent's Hospital (since torn down) is told by his psychiatrist to write down his feelings, and is then told, this could be book, which it becomes, a memoir four years later; to a NYTimes reporter, suddenly caught up in an unexpected bout with chemo, who promises himself to write about the 'significant insignificance' of his own family and of the Irish community stretched wide across Long Island.There are also chapters on the Irish greats: Eugene O'Neil, Brendan Behan, Frank McCourt; and. of course, the inimitable Oscar Wilde who, after crossing the Atlantic to New York in 1882, remarked on disembarking: i was very much disappointed in the Atlantic Ocean.For myself, a first generation Irish-American (and native New Yorker), this book was an unexpected and beautiful compilation of the hurt, the history, and then the sweet victory of a good malt blend. Or as editor Colin Broderick puts it: There is a fine green thread that binds us all. We are the Writing Irish of New York.
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