Download Hamlet

Download Hamlet

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Hamlet

Download Hamlet

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Product details

Paperback

Publisher: Heinemann/Raintree (May 1, 1995)

Language: English

ISBN-10: 0811468259

ISBN-13: 978-0811468251

Product Dimensions:

5.8 x 0.2 x 9 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

1,224 customer reviews

Amazon Best Sellers Rank:

#1,848,038 in Books (See Top 100 in Books)

As noted by other reviewers, this edition provides but a fraction of what it promises. There are no annotations, no photographs — a historical impossibility of monumental absurdity — of the author, nor any of the other promised features. Beyond that, it does not even include a dramatis personnae, a hallowed standard for any dramatic work. Even the ratings provided by Kindle were for other Shakespeare plays. ... Is there no quality control for works published by Kindle? This was such a sham that it makes me very leery about future purchases from Kindle, especially for editions with which I am not familiar.

This is my favorite Hamlet interpretation thus far. I've seen Hamlet played as lost and whiny fairly often, and I don't think that sort of interpretation does him credit. He is trapped and doomed - a bug twisting on the pin of his fate. But he is also smart enough to see how trapped he is by circumstance, conscience and filial love, and he is angry enough to speak truths, but with enough obscurity not to show his hand. This Hamlet is clever, engaged, angry, and despairing. He only seems to lose control of himself when he is talking with his mother, or with Ophelia - hurt most by those he loves most. With others, he is slyly confrontational, dry and witty. Occasionally, the enthusiastic and loving Hamlet peeps through, which makes his fate all the more poignant.I would recommend this rendition to people who know the play already, though. The voices are sometimes difficult to tell apart. Rosencrantz and Guildenstern are cast as women, and so it in some scenes it is possible to confuse them with Ophelia. (I did, anyway.) That is my only complaint. The cast were all wonderful. I wish Polonius had lived a bit longer - I laughed out loud at this rendition.

I purchased these texts for my students, and several of them have told me about the pages falling out. They are in different sections of the text, so it's not just the same for everyone. I'm embarrassed of this and the fact that I've purchased these, given them as gifts, and now the binding of the book (after 4 days of use) is starting to fall apart. It's terrible and pathetic. My students feel cheated out of money because the product they bought isn't holding together, and again after four days.

Examples from Act V, Scene ILine 118reads "I think it be think indeed..."should read, "I think it be thine indeed..."Line 169reads "this skull has lien you i' th' earth..."should read "this skull has lain in the earth..."Line 226reads "Yet here she is allow'd her virgin crants..."should read "Yet here she is allowed her virgin rites..."There are many other examples. It seems as though this was copied via computer, and never proof-read.If you want an accurate copy of Hamlet, this Collins Classic paperback is not for you.

This review is for Hamlet in the Pelican paperback version. Unclear as to why Richard II keeps liking to this...I do not have this version on Kindle, but if it is like anything else Shakespeare on Kindle, it is likely to have editing and formatting issues. At least in my experience with many of the 'free' versions.I have a couple of the Complete Works of Shakespeare, but I enjoy the Pelican versions of my favorites. Each version has quite a bit of additional information including footnotes for much of the vocabulary. The forwards and various essays explain things very well and offer additional insight to the play. I would recommend reading the forwards and essays AFTER reading the play if you have not read it before.Just wanted to add a positive review for what I consider to be a great version of Hamlet.

When Henry James sat down to write on his Venetian travels for what later became the Italian Hours, he began with a disclaimer: "It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it." Turning to Shakespeare, we might amuse ourselves by writing on, say, Hamlet, but can anything be said that's not already been said, and better, a dozen times, by superior critics and closer readers? In the appropriate spirit of humility (and in utter submission to the Bard and his great gift to civilization), I offer a few thoughts on the Arden 2nd Edition of Hamlet, and not on "the greatest work in the history of literature."Hamlet is by far the longest of the Ardens at 574 pages. It breaks down thusly: the prefatory material of editor Harold Jenkins - one of the Arden Series general editors and a Hamlet authority of great renown - alone takes up 164 pages. Three-quarters of this is bibliographical and historical. In his 40-page critical introduction, Jenkins addresses many of the plays thorniest problems, with the Talmudic attentiveness of the closest reader. Then comes the play itself, spread over 264 pages (in terms of sheer length relative to the Bard's other plays, the text is a monster, coming in at more than 3800 lines). Each page of the Arden includes an average half-page of Jenkins' detailed, argumentative, authoritative, and uncommonly helpful footnotes. The final 146 pages consist of longer (end)notes that Jenkins simply could not physically fit onto the bottom of a page. Many of these are short essays (including an appendix that glosses an earlier discussion on the dating of the play).Each of the Arden Hamlet's three sections might merit separate publication (after a modest bit of repackaging), but as a totality, Jenkins' edition must be the greatest value on the Shakespeare market. Jenkins' ruminations on the provenance of the story and the many sources Shakespeare might have drawn on, the "Ur-Hamlet" that might have come from the quill of contemporary Thomas Kyd (The Spanish Tragedy), the complexities of determining an authoritative text, the drama's inconsistencies and unanswered questions, the import of the great soliloquy of III.i (which is emphatically NOT, insists Jenkins, a deliberation on whether to commit suicide), Elizabethan revenge dramas in general, and so much more make this a truly indispensable, illuminating, even breathtaking volume.We think we know this play well. We have read it, and seen performed on stage and in memorable or hideously forgettable films. Many of its greatest lines are embedded in our hearts. The beginning of true understanding, however, resides in a superbly annotated scholarly edition. The Arden is one of several choices you can make and is for me the one to own, equally suitable for students, scholars, actors, and mere Bardolators. It will - provided, of course, you are not already a scholarly specialist in Elizabethan drama - knock the scales from your eyes. And until the 3rd edition now in preparation under Ann Thompson is published, this Hamlet will stand as the epitome of the Arden Shakespeare's greatness as a series.

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